Paku Pontianak (2013)

Sidek Hussein has been carrying around this facial growth for 30 years. Horror movies always benefited from it. Apparently he's gonna have to operate soon.

The nail of necrophilia! Nice design, too.

At a glance:

Metrowealth's 85th title Paku Pontianak (2013) (lit: Vampire's Nail) aims to repeat the trusty but tired formula that has made them some money in the past, like Santau (2009), Mantra (2010), Sumpahan Kum Kum (2012) and most recently Minyak Dagu (2013), the last in that list I believe is the only horror production of theirs that has managed to turn in a profit so far this year. Reportedly shot for some RM 1.82 mil, it's a pretty standard genre exercise, about a labu sayong maker played by Pekin Ibrahim who bangs some chick in the middle of the road and takes her into his home to care for her. Yes, it's definitely a missed opportunity to sensationalise the traditional Malay gourd-shaped clay carafe industry like what Patrick Swayze and Demi Moore did for pottery in Ghost (1990), since they drove so deep into Kuala Kangsar to shoot, yet failed to take much from the culturally rich locale. Anyway, the fella bangs some chick (debutante Uqasha Senrose) on the road and brings her home to care for her since she's conveniently lost her memory as well. Time passes and his mum (Ruminah Sidek) starts to push for marriage in view of the gossipy villagers, but a jilted fan of his (debutante Hidayah Samsudin, fresh from her SimplySiti Star Search win) comes up with the theory that her rival is actually a vampire. Jeez, I've got to move to the country some day.
Bad news on the doorstep:

Some good did come out of this movie, eh?

Well, this might go down as one of the most beautiful movies in the world for the lead couple who met and got hitched on set (Pekin insists he has known Uqasha since the both live in Subang but have never exchanged words), but for the rest of us who are dyin for some fresh horror chops, it's only the most recent in the catalogue of MIG titles that you start to forget even before walkin out of the cinema. Ismail Bob Hashim gets another go at horror after Sumpahan Kum Kum (2012), but it's the same Brian Ng sound mix (I like the guy, by the way), the same David Teo box office pantun pontifications, the same haunted angles, the same Ella Sandera makeup SFX and even the same tray of black magic paraphernalia, it seems. To MIG's credit, it has slightly more character development than usual, built on the otai boost of Ruminah Sidek and Sidek Hussein. However, most of the characters add little dimension to the story and I'm sorry to have to single out Uqasha Senrose here for a grossly uneven debut performance that really made no difference to the role and looked even worse next to Pekin's masterful nuances.

Perennial wonderment:

"So, is your skin as nice as Robert Pattinson's?"

Twilight notwithstandin, how many human-vampire romances have we seen recently? The director confesses to usin Nang Nak (1999) as a reference but he strangely brings this up as a positive distinction in a TMO clip. Well, the latest reupdate on that age-old Mae Nak legend just happens to be the new Thai box office champ, Pee Mak (2013), so what did Paku Pontianak bring to the table? Did they drive that crane so far deep into Kuala Kangsar to come away with such a pedestrian effort? What's so special about this story that it needs to be told? Even with low expectations, things have gotten very stale in the MIG stable.

Hidayah Samsudin tries to get her man back.

Reminds me of:

The Kuntilanak trilogy. Yep, I saw all of them. I persevered because Julie Estelle starred in all of them but they really got worse and worse!

I can't remember if I cried:

When I count how many MIG movie I've seen. I really enjoyed Santau (2009) but things have just been goin round in circles and I'm just dyin for MIG to try somethin like Centipede Horror (1984) someday.

Watch out for:

Adiba Yunus should've been the lead!

All eyes are on 21-year-old Kelantan-Siamese beauty Nik Zaris Uqasha Senrose Nik Sen and she is kinda cute but the real sex appeal and commandin female performance in this movie belong to Adiba Yunus (Siti Adibah Mohd Yunus) has risen up the MIG ranks from a mere film extra. She plays the suspicious sister Suraya with sharp conviction that is neither annoyin nor frivolous. I'll resist writin another paragraph on her seductive dominatrix looks out of respect but I do hope we'll get to see more of her. Oh, she's apparently landed the lead role in the upcomin Nasi Kangkang. Wow, my day just got better.

Amacam joker, berapa bintang lu mau kasi?

Box office voodoo!

Pekin Ibrahim shines but this is essentially the same punt forward with the familiar big reveals and convenient tie-ups near the end. The third act is a real downer and I really don't fancy these lazy expositions. That bein said, Paku Pontianak is actually a slight improvement on several technical fronts. How about breakin the PG-13 mould by goin for somethin that will really get the industry talkin? Oh well, I do hope Pekin and Uqasha get married next year -- then somethin great would have come out of it.★★
Bonus material:

Well, they have to promote it, don't they?

L-R: David Teo, Uqasha Senrose, Hidayah Samsudin, Adiba Yunus, Along Eyzendy, Pekin Ibrahim.

The Haunted Dollhouse (2013)

Tranny cop sex: Just in case you're not confused enough in The Haunted Dollhouse (2013).

At a glance:

Wanna take it out and check if I'm anatomically correct?

At first, I thought this 2013 omnibus horror from Full Moon Features is actually Devildolls (2012) because the latter lists it as an alternative title and most items on its IMDb page seem to check out. When I discover that none of the vignettes match the synopses of the movies they were apparently culled from i.e. Demonic Toys a.k.a Dangerous Toys (1992), Ragdoll (1999) and Doll Graveyard (2005), I realise it's actually a completely new release, but again, culled from other Full Moon movies! Anyway, I'm glad to know that producer and director Charles Band is still goin strong. In all fairness, at least the doll theme is legit, so the package does do what it says on the tin. The first part, culled from Skull Heads (2009), is called The Protectors and is about some thievin con artists who pretend to be Hollywood filmmakers on a location recce, so as to loot an old Italian castle, but soon discover they're up against some skeletal creatures who can zap dead people into zombies. The second story, culled from Dangerous Worry Dolls (2008), is about the superstitious practice of worry dolls, set against a women-in-prison backdrop. The last story, Demonic Toys, is culled from Dollman vs. Demonic Toys (1993) and I couldn't even tell you what goes on here because I was already too confused to follow after the second story.

Jessica Morris has nice eyes. Oh, the CGI skull dolls are cool too!

Bad news on the doorstep:

Yep, we have a bad case of over-packaged under-editin here. Characters zoom by, emotions change all too easily from scene to scene and your understandin of events oscillate accordingly.

Perennial wonderment:

Nothin to wonder here. It's obvious that blatant repackaged anthologies like these should serve only as a callin card for us to look up the originals from which they were culled. It's definitely preferable to have endured a bad movie in its entirety than to have seen only parts of a potentially good movie, so imagine havin to watch mere parts of movies that are probably bad in the first place!

Robin Sydney with barely any plot or clothes to work with.

Reminds me of:

All the times I watched those Chucky movies. Did you know that the fear of dolls is called pediophobia? Well, better a pediophobe than a paedophile, eh?

I can't remember if I cried:

When this palm-sized chick in a bikini starts screamin even before she turns around to see what she was supposed to be afraid of. Ah, Melissa Behr. Who cares if you can't act when you look so good still?

Dry humping your elderly servant while she's cooking in the kitchen.

Most memorable line:

How often do you hear someone say the word "obstreperous" in a horror movie? This sure is some FUBAR shit goin on here.

Amacam joker, berapa bintang lu mau kasi?

Feeling fucked yet?

Culture Crypt nails it: "Remember the heyday of Blockbuster Video, when a new Full Moon release meant hands that eagerly clutched a VHS tape with excited anticipation to see not only the movie, but the ahead-of-their-time Videozone segments that played after the film? Those days are over. They have been over for several years, in fact.  The exact beginning of Full Moon’s decline is difficult to pinpoint. One top candidate for that dubious honor may be their predilection for filming two movies at the same time when in actuality they were splitting one cohesive story into two separate films (see Trancers 4 and Trancers 5 for an example). Now, like Devildolls before it, Charles Band attains a new low in fan exploitation by presenting an 'anthology' that is actually three truncated versions of previous Full Moon films cobbled together into one semi-coherent disappointment." Go there for what I consider to be the most definitive review on this unfortunate movie, if you even could call it that.★★
Bonus material:

Melissa Behr has a stunning body. Wonder what she's up to these days?

Bisikan Syaitan (2013)

"Why did you put the twist inside the synopsis ?!?! Why ?!?!"

Nabila Huda all sullen, like.

At a glance:

This might not be the longest 80 minutes of your life, but film editor Faizul Rashid's debut feature Bisikan Syaitan (2013) (literally: Satan's Whisper) suffers the stunnin marketin incompetence of havin a widely circulated synopsis that effectively reveals the big twist in the movie. Why do things like this still happen? What a fuckin waste of time it was for me. Who am I to ask for a replacement DVD or download voucher apology from Grand Brilliance producers Tengku Iesta Tengku Alaudin and Latiff Mohaideen for havin sat through this farce? Bisikan Syaitan is a sorry shyte excuse of a supernatural horror, shot at Frasers Hill and Kuala Kubu Baru for a reported RM 1.5m. It opened in Malaysia last month, rakin in some RM 790k.

Bad news on the doorstep:

"Can't you give me a better T-shirt?"

If that's not bad enough, stick around and run through the genre tropes with me. This movie is about 20 or 30 years behind time, with all its cardboard characters and cheesy scare scenes. Maybe some of these actresses take the term Scream Queen in horror movies to mean you have to scream an awful lot. Screamin at the top of your lungs in every distress scene is not actin! Nabila Huda is ace in any bohsia role but she's no scream queen. The other actress, Wan Sharmila, commands no screen presence and apparently a steamy scene between her and Fizz Fairuz was lost to the censors.What's left? A Tweety t-shirt and a whole lot of screamin.

Perennial wonderment:

How many times have we seen a good premise on paper, completely lost to rubbish execution? Maybe that's why some of the older MIG horror flicks were quite watchable -- they had some measure of pace and execution, to mask its inadequate story. Workin with Nanie Ishak's script that
has everythin from watermelon and coconut juice to human placenta and explodin computer screens, how did it turn out so bad? Whispers here, whispers there. Whispers do not make a movie!

Reminds me of:

The last time I enjoyed a horror movie at home was 9-9-81 (2012) a few weeks ago. In a cinema? Probably as far back as Laddaland (2011).

I can't remember if I cried:

"Hey yo wassup you hospital folks y'all? Where da party be at?"

Dynas cameos as a doctor. Talk about bein miscast. All that flowin hair, walkin in and out of ORs like it's a Pantene ad. When will they learn? Wotta joke. What can you expect from a movie that screws up the font spacin in its title cards?

Farrah Nadia

Amacam joker, berapa bintang lu mau kasi?

Doe-eyed child actor Farrah Nadiah is by far the best thing about this terrible effort, though I can't knock Fizz Fairuz for anythin. I can't believe them guys left that cliched last scene in the final cut. You know I'm only angry because I care. This was a piss poor project, even for the undemandin local standards. Back to the drawin board, fellas.★1/2
Bonus material:

"You're under arrest for starring in a criminally poor movie."

The Forbidden Girl (2013)

Luscious Jytte-Merle Böhrnsen goes batshit occult as The Forbidden Girl (2013).

At a glance:

They even managed a nipple on the poster!
You lucky little nipple you!

Marketed as "a supernatural 3D mystery thriller in the vein of Dracula and The Others", European Motion Pictures / Shoreline Entertainment's ambitious German product The Forbidden Girl (2013) is a dissonant mess that I suspect hardly got shopped, since they didn't even bother to complete buildin the official website. They did manage a DVD release though, so we do get to see it. It's a low-budget horror-fantasy in English and with a nipple or two thrown in, just like those old Italian flicks that have become a cult classic. The convoluted story centres on a young fella named Toby (Peter Gadiot) who is released from a nuthouse after several years and lands himself a job at an old castle, tutorin a nubile nympho named Laura (Jytte-Merle Böhrnsen in the titular role) who just happens to look exactly like the ex-girlfriend he lost to some mysterious werewolf creature ages ago. There's also an old lady (Jeanette Hain) in the house who gets younger by the day and her creepy loyal butler Mortimer (Klaus Tange) who likes to eat bugs and wield axes. Apparently Till Hastreiter, a TVC director who teaches low budget filmmakin in Third World countries for the cultural body Goethe, got the SFX guys from Martin Scorsese's Hugo (2012) to do this over three years in a self-built studio in a Berlin backyard.

Roger Tebb: "All love is forbidden from now until the day you die."

Bad news on the doorstep:

Beautifully photographed but sorely lackin an emotional centre, not to mention some jarrin elements that simply don't sit well together e.g. characters that seem to belong to different times and different cultures! The leadin lady Jytte-Merle Louisa Böhrnsen treats us to her topless delights every now and then but the movie is neither sexy nor sensual -- just a lot of meticulous framin and colour correction!

Perennial wonderment:

Is it true that there simply aren't enough 3D movies to fill all the word's 3D screens? A statement from the distributor insists that "even a moderate budget production has a very high chance of going theatrical in the U.S and the rest of the world now" when it comes to the lucrative new format and that's why they gambled on the movie. Hmm... that would explain why this movie scantly had a need to be in 3D !

Reminds me of:

Jytte-Merle Böhrnsen and Peter Gadiot in The Forbidden Girl (2013).

That other 3D horror dud, Dario Argento's Dracula (2013) reupdate. The story unfolds just as slow as that Nightwing movie Imaginaerum (2012).

I can't remember if I cried:

When I realised I had to rewind this from time to time because I keep zonin out of the conversations. There goes the night, havin watched yet another B-movie to torture myself.

Most memorable line:

"By your powers combined... I am Forbidden Girl!"

There are lines in this movie like "It's cool to try new things, right?" and "She does look like me -- only the hair sucks." Talk about turn-offs!

Amacam joker, berapa bintang lu mau kasi?

Theatrical, talky and too much of an effort. The more interestin the visuals got, the further away from the story we drifted. Should be cut up and despatched as multiple Marilyn Manson music videos. However, I wouldn't go so far as to say it's unwatchable. Special mention goes to makeup artist Emilia Seifert.★★
Bonus material:

Jug Face (2013)

Jungle jism: Lauren Ashley Carter loves incestuous in-and-outs in Jug Face.

At a glance:

Jug Face (2013) is about face jugs.

Backwater bad religion and sibling sex come together swimmingly in the impressive indie Jug Face (2013). By all accounts, debutant writer-director Chad Crawford Kinkle is gonna have a great career ahead of him. That's if the gods of hillbilly horrors and the supernatural slasher genre will stick around to preside over a few generations more of Southern Gothic inbred killers and the horror DVDs they sell. Here, we closely follow an isolated community from the animated opening credits through to a grim, deterministic end. It's a tight little village story about young Ada (Lauren Ashley Carter), who's supposed to be a nubile virgin about to marry straight-laced Bodey (Mathieu Whitman) but she hides a bun in the oven, an unspeakably incestuous one co-baked with her brother Jessaby (Daniel Manche) at that. Running parallel to this story is another village secret. There's a magic pit in the woods that sends its sacrificial wishlist by way of visions to a seer named Dawai (Sean Bridgers) who happens to be the village halfwit. Every season, this reluctant potter will fashion a clay jug bearing the face of the next intended and the villagers will offer up a blood sacrifice via slow-drip. Wotta fresh spin! Bring on the mystery and the moonshine, fellas.

Bad news on the doorstep:

"The pit wants what the pit wants."

Not a big issue but some didn't like the CG aspects, however little, for they do remind us how cheaply the movie was put together. Make-up FX veteran Bob Kurtzman is attached to this, so I wonder if there were better ways to film the more demanding apparitions we see. Others note the underpopulated village as another down point that took us out of the experience. Also, the somewhat muted ending seems to wanna hold itself back unnecessarily. I'd have fancied a stronger finish.

Perennial wonderment:

"Please, sir. Can we have a sequel?"

If you're wondering where you've seen big-eyed brunette Lauren Ashley Carter before, she's the younger sister in The Woman (2010). Lass sure has blossomed nicely, eh? Birds like these do so swell in horrors playing the dishevelled innocent.

Reminds me of:

A refreshing evil blend of Terribly Happy (2008), The Breed (2008), The Shrine (2010) and M. Night Shyamalan's The Village (2004).

Most memorable line:

"The pit wants what the pit wants."

Amacam joker, berapa bintang lu mau kasi?

Confident piece of storytelling. Even the music is good and adds value to the package. Definitely several cuts above the usual crap lately. Check out the official website and the Facebook fan page for more info.★★★1/2

"Open further and lemme see that smelly snatch, you ungrateful whore!"

Lizzie (2012)

Shawna Waldron and Gary Busey in a deceptively strong promo visual.

Brianna Lee Johnson

At a glance:

19th century New England axe murderer Lizzie Andrew Borden gets yet another run-out with Dark Morgue Picture's Lizzie (2012), as Leif Holt saw fit to produce, write and star in a rather unpersuasive B-movie that is both feeble and frustatin at the same time. I scarcely thought there was gonna be a worse movie than The Devil Inside this year but this does manage a close finish. We get a prologue about the oft-chronicled titular terror with montage and poem, then we're thrust into the modern day with a young blonde being treated by her shrink for witnessing apparitions around her house. 

Bad news on the doorstep:

So bad was this movie, when the characters are watchin a movie in their livin room, they put on a bad movie as well. Stop-start tension, bad CGI choices, continuity boo-boos, very poor performances - all these add to the derivative drivel. Foggy mirrors, disappearin blood... what else? Corbin Bernsen plays a shrink but comes across more like a garbage man who just walked on set and Leif Holt himself has a puzzlin role as a feckless boyfriend.

Let's watch a bad movie!

Perennial wonderment:

Apparently there's been development on the case just a few months ago. Anyway the canon of Lizzie Borden feature films include The Legend of Lizzie Borden (1975), The Curse of Lizzie Borden (2006) and The Curse of Lizzie Borden 2: Prom Night (2008), not to mention several documentaries like Lizzie Borden: A Century of Fascination (1992) and Lizzie Borden Had an Axe (2004). Never saw any meself but this 2012 movie sure doesn't provide much encouragement.

How I felt in the movie, too.

Reminds me of:

Lead star Amanda Baker (Jolene Crowell on TV's General Hospital) is an extremely annoyin actress whose laughable lack of depth is made up for by her resemblance to Maria Bello, Jessica Biel and porn star Kagney Lynn. No nudity from her either.

Watch out for:

Veteran porn star Aurora Snow is supposed to have an appearance here, accordin to the credits. Must've ended up on the cuttin room floor because I don't remember this at all. Someone drop me a note if you know different.

Amacam joker, berapa bintang lu mau kasi?

The kind of movie you'd switch off or walk out on. Check out the official website and Facebook page if you're still readin.★1/2
Bonus material:

Fast forward to this scene with Amanda Baker screaming. Hilarious.

Seventh Moon (2008)

At a glance:

Burning effigies:
A multi-million dollar industry.

I've decided to revisit some of the more recent films about the Hungry Ghost Festival, the calendar staple that lends such a rich source for ghost stories when I was growin up. This American horror indie would've disappeared under the radar, if it were not written and directed by Blair Witch Project (1999) mastermind Eduardo Sánchez and had the dirty star appeal of Amy Smart in the lead. Seventh Moon is based on the Chinese legend that on the full moon of the seventh lunar month, the gates of Hell open and the Dead can enter the realm of the Livin. Melissa (Amy Smart) and Yul (Tim Chiou), Americans on a honeymoon in China, end up lost in a remote village, thanks to nervous taxi driver Ping (Dennis Chan).

Bad news on the doorstep:

Horror movie pre-requisite:
Doin what you're not supposed to. Without backup.

The burnt offerings may be lost on Western viewers but for anyone comin from this part of the world, it's pretty creepy stuff - although Eduardo Sánchez seems to have taken a wrong turn somewhere and turned this into a monster movie by the third act. Many critics have lamented on the decision to overuse the shaky cam technique here, a favourite for the director. I believe that the excessive quick cuts and only half-seein the obviously obscured "ghosts" took some of the spook out of what was set to be a fairly creepy effort.

Perennial wonderment:

Amy Smart:
I'm sexy but do they know it?

Why can't Amy Smart make it like Blake Lively? I remember her vaguely in early films like Varsity Blues (1999) and Road Trip (2000) but it was in The Butterfly Effect (1994) opposite Ashton Kutcher that I thought she was really gonna make it. After the two Crank movies, I don't think she has anythin substantial lined up on her CV. What a waste. I always look forward to her gettin her kit off.

Reminds me of:

Kelvin Tong's The Maid (2005) and Herman Yau's The First 7th Night (2009).

Watch out for:

Dennis Chan Kwok San 陈国新 as the cabbie Ping. Nice to see some old hands still findin work. The man has worked in the Hong Kong film and television industry as a producer, director and actor for more than 30 years, perhaps best known to Western audiences for his work in Jean-Claude Van Damme’s Kickboxer franchise. His latest appearance on the big screen was a cameo in Andy Lau's box office gem A Simple  Life (2011) @ Sister Peach.

Amacam joker, berapa bintang lu mau kasi?
The two leads do their best and give us some reason to care for them but the supernatural elements grew tiresome. DVD Active's Gabriel Powers notes that the climax is so similar to The Descent (2005) that Neil Marshall should call his lawyers. For further info, visit the Seventh Moon official site, which is oddly still up today. ★★
Bonus material:

For the unitiated, this is what every Chinese production does before shootin and not just those that concern ghosts.

Lovely Molly (2012)

This is a horsefuck of a horror movie, literally.

At a glance:

Back in 1999, Cuban-born filmmaker Eduardo Sánchez and film-school buddy Daniel Myrick shot The Blair Witch Project, a micro-budget movie that went on to gross US $248-million worldwide. Kurt Loder notes how Sánchez has since made a few more pictures, none of them especially successful, and we can imagine his dismay in watchin Oren Peli’s three Paranormal Activity films - obvious Blair Witch descendants - rake in more than half a billion dollars. Thus, perhaps, the director’s return to the arena of his early breakthrough. In Lovely Molly (limited release in 2012), we get a supernatural horror with faint psychosexual themes of guilt and abandonment. The titular character, ex-druggie Molly (Gretchen Lodge), moves into her childhood home with new husband Tim (Johnny Lewis) once both her parents pass away. Soon however, we're thrown into a haunted house exercise and left decidin whether there's really a minotaur-like demon in the house or is her psychosis due to the joint that her sister Hannah (Alexandra Holden) started her off on.

Hands up who'd rather see Alexandra Holden (R) in Gretchen Lodge's (L) lead role?

Bad news on the doorstep:
The good news is that it's not a full "found footage" affair, especially since the last big one we know, The Devil Inside (2012) really sucked. The bad news is that you seem to need to watch some videos on its official website to complete your understandin on the occult backstory.

"Why are you always naked and why do you always smell like horse?"

Otherwise, the strength of the movie depends on just how watchable you find newcomer Gretchen Lodge, who admittedly puts in a fearless, full frontal performance. She gets to do a spot of nasty as the unlovely Molly and obliges with aplomb, although I wouldn't put her in the same league as say, Cécile De France in Haute Tension a.k.a. Switchblade Romance (2003), despite her committed turnarounds between demure supermarket employee and deranged druggie on heat, which memorably include a hearty breakfast romp on the kitchen floor - the only one I care to remember since Eva Green in The Dreamers (2003). Nevertheless, Sophie Blum wrote how Lovely Molly is incoherent, sexist, and derivative; preferrin Béatrice Dalle's carnivorous kiss in Claire Denis' Trouble Every Day (2001) where the female protagonist doesn't get reduced to a ravin succubus (or at least made a sympathetic ravin succubus). Me, I just want more demon backstory.

The demon pin I didn't get.

Perennial wonderment:

What is up with that stone tablet with the horse head motif? It got sent out to the press as a promo item and got us googlin what the fuck is an Orobas.

Reminds me of:
Stephen King stories.
Amacam joker, berapa bintang lu mau kasi?

Solid sound design and music score but the average horror fan will find this borin, I'm sure. Ultimately, not a very scary movie at all. ★★

Alexandra Holden wouldda been poised for a sequel
considering how her character arc begs for it.
No chance since the movie sucked.

Was it as good for you as it was for me?

 Bonus material:

Twitchfilm's Todd Brown calls it the finest film of Sanchez' career and notes how there's virtually nothin he would change other than an unnecessary epilogue, choosin to tag the movie's appeal to just how much an audience would relate to the main character. He coincidentally also introduced the film and conducted a live Skype interview with director Eduardo Sánchez at a Bloor Cinema screenin I attended, thanks to Rue Morgue and M.O. Pictures. I managed to ask a question about the possibility of a sequel, to which Sánchez muddied into a question on whether it should follow the sister or the mother (read: Nope, no sequel). He also confirms that he's shootin a Bigfoot movie currently titled Exists (2012).

Earlybirds at a midnight screening I attended in Toronto.
Photo taken on 26 May 2012, The Bloor Cinema.

Director Eduardo Sánchez via Skype with Twitchfilm's Todd Brown.
Photo taken on 26 May 2012, The Bloor Cinema.

Technology is awesome indeed, even if the film wasn't so hot.
Photo taken on 26 May 2012, The Bloor Cinema.

Cast & Crew (L-R): Gretchen Lodge, Johnny Lewis, Eduardo Sánchez & Alexandra Holden