Double Xposure (2012) @ 二次曝光

William Feng 馮紹峰 and Fan Bing Bing 范冰冰 have zero chemistry together.

When will Fan Bing Bing go Hollywood?

At a glance:

Li Yu's heavily promoted Double Xposure (2012) a.k.a. 二次曝光 is a particularly mouth-waterin project for me because her previous Lost In Beijing (2007) a.k.a. 苹果 was such a delight to watch and here she gets to direct the mesmerisin Fan Bing Bing (范冰冰) again in yet another seedy Mainland dish. When these two get together, Fan almost always gets a sex scene or two and the poster invariably cashes in on her star appeal by depictin her in the throes of wet romance. We're introduced to a confident Fan as a plastic surgery consultant and her plastic surgeon boyfriend William Feng Shao Feng (馮紹峰) who is in fact two-timin her with her hedonistic bestie Huo Si Yan (霍思燕). The affair is soon uncovered to murderous ends but that ain't even what the movie is about, would you believe it.

Bad news on the doorstep:

Oh dear. Where's the script gonna go from here?

Yep, this quickly turned into an over-elaborate exercise in stylish futility, as the story implodes into almost a separate movie by the second half of its 105min run, upsettin genre expectations by rainin us down with too much information and iffy plot twists. There's no satisfaction to be drawn from the bizarre connections, leavin us with a lot of wasted cool CG work and soundmix to admire.

Yummy prospect. Undone by too much story.

Perennial wonderment:

When will Fan Bing Bing go Hollywood? I think she has one English-speakin role comin up, no?

Reminds me of:

Well, the initial frustration evokes Switchblade Romance (2003), that's for sure.

Watch out for:

Joan Chen (陳沖) as the clinic proprietor. She's unremarkable but reliable as always. Nice to see her get a run-out here.

Amacam joker, berapa bintang lu mau kasi?

If this movie ended after the first plot twist, it would've at least been a competent mood piece. Unfortunately, the final product is a messy psychodrama that simply tried to do too much. I'm goin backwards now to check out Buddha Mountain (2010) a.k.a. 观音山, the last Fan-Li collaboration.★★
Bonus material:

Fairly watchable Chinese seductress Huo Si Yan 霍思燕

Kepong Gangster (2012) 甲洞

"Whaddya mean you don't stock Schwarzkopf's extra strong hold gel?!?!"

At a glance:

Really organised crime:
Agreeing beforehand us pipes, you sticks.

As Jordan Chan learned in The Wall (2002), just because you smoke hard, doesn't mean you look hard. The tired Malaysian gangster genre unfortunately continues with a most unrealistic, though earnest addition - Mahu Pictures / Ram Entertainment's RM 2.09 million-grossin Cantonese cringer Kepong Gangster (2012) a.k.a 甲洞. Betrayin a title card prologue that hints towards a gangland epic with real provenance (e.g. Johnnie To's much celebrated Election a.k.a. 黑社会 duology), it doesn't take long before the highlight-finned prettyboys come out to play, brandishin their suspect Cantonese accents, rented watermelon knives and temporary tribal tattoos, to strike fear into the hearts of mostly one another, since there's probably insufficient funds to include elements like - oh I don't know - the police? This laughable knock-off draws obvious parallels from Hong Kong's popular Young And Dangerous series but is difficult to enjoy due to the painfully derivative story and screenplay, not to mention some iffy humour at the start and protracted melodrama at the end.

Bad news on the doorstep:

The irony in its successful LPF appeal (overturnin the dreaded 18 ratin for a more box office-friendly PG13) is that you'd probably do need to be a 13-year-old to believe the events in the movie. While there are some useful instances (e.g. triad hand signal greetings), the already sore, low note of credibility cannot be redeemed by the fashionista five. Melvin Sia (any relation to Mers Sia from Chow Kit or are they one and the same?), Henley Hii (big Eagles fan perhaps), Hero Tai, Billy Ng and Rayz Lim come across as unblemished, homogenous hairdressers from Jinjang, all waitin to break into song. We can cut debutant director Teng Bee some slack for he's a music producer by trainin, but the commendable conviction here from both cast and crew is sadly lost to the characterisation. A solid story is needed to allow us to overlook the same MTV boyband stylings of Mark Chao and Ethan Juan in Doze Niu's highly effective Taiwanese tale, Monga (2010). Either that, or take heart from Louis Koo, who went against image consultants with his yellow-toothed street bum role in Protégé (2007).

Reminds me of:

Jovi Theng delivers.

The mid-tier boss played by pop group lead Jovi Theng is similar to Adam Corrie in Malay gangster movies. Surprisingly, he's the only one in the movie you'd buy. That is to say, he's the only who might actually pass as the bookie or pusher on the other line and not the nancy who's tryin to get you in on the Chinese New Year hair rebondin offer. Well done.

Perennial wonderment:

Who backs these projects? I saw a Dato's name in the openin credits. I hope they get better scripts next time.
Watch out for:

All we got to see of Linda Liao was a black bra strap. Cis! 

Taiwanese singer, MTV Mandarin VJ and bit-part actress Linda Liao Pei Ling 廖佩伶 aka 廖語晴. She plays the gangster's moll and provides for the movie's less embarrassin dramatic moments. Too bad, every time the movie starts to get a little steamy, it fades to black. Potong stim.

Most memorable line:

I'm not sure the context is correct but in the end there's an allusion to Bruce Lee's famous "be water" advice, when we are told that a tree will tumble durin a storm but not the grass, thus the latter bein the stronger.

Amacam joker, berapa bintang lu mau kasi?

Ain't seen Michael Chuah's critically-panned Fist Of Dragon (2011) a.k.a. 龍拳 but one sincerely hopes Kepong Gangster can be the launchpad of many careers, lest we endured it in vain. As for me, I'd sooner fancy a rerun of Budak Kelantan (2008) any day.★★

Bonus material:

Indeed.

Kepong gangsters or Kepong hairdressers?

I rest my case.

Let The Bullets Fly (2010) @ 让子弹飞

"I'm the director of this movie and this is what I get to do, okay Carina?"

At a glance:

Dubbed by the film's director as China's answer to Hollywood's Oceans Twelve (2004), Jiang Wen's Let The Bullets Fly 让子弹飞 is an immensely rich and successful genre-bender that will go down as one of the best movies in the past 10 years to all Mandarin-speakin territories. With even Feng Xiao Gang in a cameo appearance early in the film, Jiang Wen blends art house storytellin with commercial sensibilities to deliver an entertainin period caper about three men in 1920s warrin China - Bangde Ma (Ge You), Pocky Zhang (Jiang Wen himself in an inspired performance) and Huang (Chow Yun Fatt). It's black humour with lots of old school banditry seeped in a political battle of wits.
Bad news on the doorstep:
The cast turn in a five-star performance with each actor stealin the scenes of another; it's appropriately convoluted and sharply tackled. However, most reviewers note that some of the subtleties of language are perhaps lost to all but the native Chinese. The sequences are intelligent and weighted, although some CG work comes across very cartoonish.

Reminds me of:

The last time I had so much fun watchin a Mainland movie - One Foot Off The Ground (2006).

Amacam joker, berapa bintang lu mau kasi?
Four stars. Any viewer who manages to catch Let The Bullets Fly will know that the 30 over script drafts the director went over before finally bein satisfied was likely no exaggeration. With its two versions (one in Mandarin and one in Sichuanese), the film broke several box office records in Mainland China and Hong Kong, and received critical acclaim when it was released. One source has it down for a 730 million yuan (US$111.1 million) in box office, becomin the highest-grossin domestic film in China's cinematic history when it was released. Movie opens Stateside this week, almost two years since the Chinese first saw it.
Trailer for the curious:

Bonus material:

DID YOU KNOW? Chow Yun Fatt hasn't been in a Cantonese movie for 17 long years, since God Of Gambler Returns (1994), I think.

Long Arm Of The Law (1984) @ 省港旗兵

Lam Wai 林威 stars in Long Arm Of The Law (1984) 省港旗兵

At a glance:

An obviously dated but important Chinese film that predates all the John Woo gun movies from Hong Kong that we celebrate. Director Johnny Mak Tong Hung 麥當雄 gets some cold-blooded actin out of exploitation flick staple Lam Wai 林威 (pic) in a movie where everyone's a bad guy. It's about how a bunch of Mainland ex-soldiers travel to Hong Kong hopin to pull off some heists and make the kind of money that they can never make in 100 years workin in China (referenced in the film). Hooray for Capitalism. Hooray for exploitation cinema.

Bad news on the doorstep:

Might be difficult to find this film in its entirety (not those episodic YouTube uploads). Might be more difficult to find out why it's good cinema if you're just a regular movie buff. This was one of the earliest films for villain staples like Chan Ging and Shum Wai.

Watch out for:

A climactic gunfight through the mazy, squalid squatters in what was once the lawless Kowloon Walled City. Fuicho. Some really OTT executions, too.

Most memorable line:

"I am a Mainland boy. I don't know my ABCDs. I do things without any love or interest. Don't try to be funny with me. What are you, whore? You're a rotten tomato. You're a chicken biscuit. Now, strip!"

Amacam joker, berapa bintang lu mau kasi?

Eye-openin crime flick about how it used to be durin the days of givin your brother a Dupont lighter to show him how you've made it big. Long Arm Of The Law (1984) was ranked #6 on the list of Best 100 Chinese Motion Pictures durin the 24th Hong Kong Film Awards ceremony on 27 March 2005.★★★
Trailer for the curious:

The Viral Factor (2012) @ 逆战

How come Liu Kai Chi always plays a crippled loser?

At a glance:

Dante Lam continues to make ambitious but underwhelmin movies while cuttin corners and keepin the Chinese action-junkies placated for the Dragon New Year. Hazmat hocus-pocus, RNA mumbo-jumbo, Nicholas Tse jumpin off KTM buildin, Jay Chou dodgin RPGs in Jordan, joke policemen runnin around KL Sentral speakin textbook full Malay with Chinese accents, CGI explosions whenever possible, emo downtime whenever possible, everyone speakin to each other in five different languages. Yeah, that sorta thing. 

Bad news on the doorstep:

All of the above. And oh, Jay Chou's two-tone face of stone.

Gay Chou in army gear.

Perennial wonderment:

How many movies have you seen Liu Kai Chi play a crippled loser? And oh, how many of you know about Carl Ng, the Eurasian model-actor who has appeared in so many different kinds of Hollywood, European and Hong Kong films throughout his colourful career?

Reminds me of:

Jackie Chan and Michelle Yeoh doin that helicopter and bike scene in KL for Police Story 3: Supercop (1992).

I can't remember if I cried:

When I giggled too hard as me mate Bob asked me in the cinema, how does a curly long blonde Nicholas Tse sneak in and out of so many police stations in KL unnoticed, wearin a fluorescent Hawaiian shirt?

Most memorable line:

Chopper 1, please follow Chopper 2 and Chopper 3 because we have lost contact with Chopper 4. Or somethin like that. Hilarious. The height of Malaysian police tactical radio communication.

Amacam joker, berapa bintang lu mau kasi?

Two stars, one for each hour of toilin. US$ 17mil of Albert Yeung money flushed down the annals of meaningful cinema. Jackie Chan, please come back. Dante Lam, please revisit Beast Stalker (2008) and Stool Pigeon (2010).

Trailer for the curious:

Stool Pigeon (2010) @ 线人

Liu Kai Chi, the ex-stool pigeon with a lousy retirement package.

At a glance:

It’s Beast Stalker Part II as one-genre man Dante Lam Chiu Yin’s latest Hua Yi Brothers-backed US$4 million crime drama goes down as his best so far, lookin like it’s been explicitly made with Golden Horse intentions, especially with the role reversal between Nick Cheung and Nicholas Tse, who now play a cop and an informant respectively. Since his unfocused Sniper (2009) was somewhat a one-dimensional letdown, it was great that Fire Of Conscience (2010) burned brighter and now we can attest to Stool Pigeon 线人 being a superior product that benefits from the exceptional pairin and also a particularly restrained but intense screenplay by Jack Ng Wai Lun, save for some jarrin extended downtime. The titular informant here is habitual offender Ghost Jr (Tse), son of a renowned underground racer and is now doin time but Inspector Don (Cheung) picks him out to be the best positioned informant to infiltrate a gang who specialises in jewellery heists. Since his sister has been pimped out due to his father’s debts, the money proves too good for him to refuse and Ghost Jr gets dragged through an epic struggle of blood, sweat and tears. We have good character development throughout, startin with Liu Kai Chi’s ex-stoolie character and even Kwai Lun Mei who apparently holds a gun for the first time in a movie, playin a feisty gangster’s moll. Mainlander Lu Yi gets a comfortable part as heist mastermind Barbarian while Miao Pu gets to play Nick Cheung’s wife again (Beast Stalker) in a twisted sideplot.

First time shooter: Kwai Lun Mei.

Bad news on the doorstep:

The mole scenario is a HK cinema overkill but Stool Pigeon offers two fresh aspects that are uncommon. One is the often darkly humourous dialogues about informant procedure and even pricing structure. We’re shown how to “treat your stoolie like your girlfriend” and also how cash rewards commensurate with task objectives in a most organised way. Next, we have a more textured presentation, as Lam chose despairing Kowloon streets for most scenes and there are plenty of location-specific references that enrich the movie.

Your informant is like your girfriend.

Amacam joker, berapa bintang lu mau kasi?

The picture comes off stylish, thematically-grippin and substantial, balancin drama and action will aplomb, unlike the many uneasy blow-em-‘up HK titles we have had to settle for every now and then.The director has edited a scalpin scene with Cheung, so you can expect the movie to be averagely violent, with plenty of realistically dirty blood-soaked scuffles (check out Tse getting beaten to a pulp on the kerb) instead of clean chops and martial arts. Watch it as this year’s best Hong Kong crime drama so far.★★★★

City Under Siege (2010) @ 全城戒备

Superslut and superhero.

At a glance:

American X-Men are crossed with Chinese Future X-Cops in uneasy yet fairly entertainin Hong Kong actioner that certainly contains more drama than what poster or title might suggest. In a modification of the usual themes we find in movies about post-war Nazi experiments, this Benny Chan picture uses the prologue of fictional Japanese experiments in Malaysia durin WWII occupation and spins a mutant story with heroes and villains, mostly in fat suits, clown suits or any other futuristic-lookin PVC apparel, as long as they look more advanced than Streetfighter characters. In City Under Siege (2010), we follow a bumblin simpleton named Sunny (Aaron Kwok) who goes from circus clown to national hero in a bizarre turn of events that we’ll omit as spoilers. Colin Chou (Forbidden Kingdom) plays the arch nemesis, while Shu Qi (Gorgeous) gets a decent role as a beautiful TV news anchor. Meanwhile there are also Mr and Mrs Smith super agent roles for Zhang Jing Chu (Aftershock) and Wu Jing (SPL).

"Wow, I can see his ego from here."

Bad news on the doorstep:

The balance between CGI and traditional FX isn’t very comfortable, especially comin from such an established filmmaker who gave us the Police Story movies with Jackie Chan. As mentioned earlier, it’s rather unusual that the movie does have a useful healthy dose of emotional downtime and humorous interjections (Aaron Kwok’s obsession with bein “slim”) - this helps lift the mood for the otherwise very overdone plot. More importantly, it’s possible that many of the understated action scenes in this movie are actually quite explosive but can’t find a comfortable place to engage the audience who are bein visually bamboozled with various CGI oddities.

Aaron Kwok shouldn't have had that last murtabak.

Perennial wonderment:

We must however single out Aaron Kwok as being a much improved, very competent and professional actor despite the flak he gets all these years. In related observations, Shu Qi’s Cantonese has improved fivefold since the Sex And Zen years while Mainlanders Zhang Jing Chu and Wu Jing need better projects if they’re gonna break out of the B-movie mould.
I can't remember if I cried:
This movie had Malaysian indie distributor NEF havin a go at organisin a big event with the HK stars in town. It was a circus.

Amacam joker, berapa bintang lu mau kasi?

Feels more Ultraman than Rumble In The Bronx but you're likely not to feel shortchanged if you’re looking for an action movie with Chinese stars. ★★1/2

Aftershock (2010) @ 唐山大地震

Would you save your daughter or your son first?

Xu Fan's powerhouse turn.

At a glance:

Chinese filmmakin ace Feng Xiao Gang (Assembly 2007, The Banquet 2006) has made IMAX screens in China a rippling goldmine with the Hua Yi Brothers-backed Aftershock 唐山大地震 - a tearjerkin triumph of Mainland cinema that is at once more marketable to other regions than the usual fare due to its high production values. It also bears the unlikely distinction of being the first IMAX film that isn't created Stateside. Drawing from the 1976 Great Tangshan earthquake that had a death toll which is controversially contested up until today to be anything from 200,000 lives to three times that, Aftershock is a fictionalised story set during a real-life event (like Titanic 1997) and benefits from the unflinching powerhouse portrayal of the filmmaker's actress wife Xu Fan (One Foot Off The Ground 2006, The Founding Of A Republic 2009) as a mother who had to painfully choose between saving her son or saving her daughter during the atrocities of natural disaster. It is a strong, textured drama with very decent CGI work that doesn't detract from the primary focus of buildin on themes of guilt, abandonment, closure and redemption - essentially a film all of the Chinese diaspora worldwide can relate to. Sparin you a more detailed synopsis is probably the best idea considerin its epic landscape of a story that encompasses events such as Mao Zedong's death.

Bad news on the doorstep:

Ahh I jumped the gun on this one, me. I came back from the Singaporean premiere with a chest stirrin with emotions and gave it five stars. When the euphoria died down I realised I was very impressionable. I blame Xu Fan's incredible performance.

Perennial wonderment:

Just how far have we come from the traditional patriarchal importance of a male heir? Not far, I assure you.

Amacam joker, berapa bintang lu mau kasi?

The five-star performances in Aftershock (includin Zhang Jing Chu's role as the adult daughter) are a definitely highlight, not to mention its high entertainment value in balancin drama and action, just like Assembly. One can only hope that movies such as this, despite the fiction, serve to remind people the importance of family and just how much emotional resonance is left behind by natural disasters. Aftershock is a first grade tearful testament to that.
Bonus material:

Deadly Delicious (2008) @ 女人有毒 @ 双食记

The way to a man's heart is through his stomach.

At a glance:
Directorial debut of screenwriter Zhao Tian Yu, about two women, a man and how food can be an instrument of evil. Themes of infidelity and revenge. Reminds me of films like Thinner (1996), Perfume (2006) and Chocolat (2000). Decent premise, adequate suspense.
Bad news on the doorstep:
The ladies - Yu Nan (left) from Tuya's Marriage (2006) and Jiang Yi Yan, (right, Zhang Zi Yi lookalike) aren't too pretty and they sometimes look like each other. Other complaints I read concern the distant characters and inconsequential dialogue. Francis Ng did his best, I guess. But the movie really needed somethin sicker or at least some token sex scenes.
Watch out for:
Terrapin beheadin on wooden choppin board with Chinese cleaver. Always nice to see. People need to be more unflinchin. Reminds me of the poor turtle in Cannibal Holocaust (1980).
Most memorable line:
Ah I'll get back to you on this. Francis Ng orders a long list of funky gourmet shyte to impress his air-stewardess girlfriend.
Amacam joker, berapa bintang lu mau kasi?
Doesn't really hit the pyschological thriller high notes I'd like, though it's rather dark and sombre. At times, unanappetisingly cold, like some of the various dishes featured in the film. Better than what I'd expect from a commercial Mainland movie though.★★1/2

The Treasure Hunter (2009) @ 刺陵

At a glance:
Kevin Chu's Treasure Hunter is basically how The Mummy gets an Asian treatment as Taiwanese tomb raiders go to Mainland China and frolic about in the deep desert to cook up some Indiana Jones adventure. To drive the picture, the Kung Fu Dunk director re-teams with regional pop prince Jay Chou and ropes in supermodel-turned-actress Lin Chi Ling, who finds time among boutique launches to star in another big picture after debutin in John Woo's Red Cliff.
Bad news on the doorstep:
I fell asleep watchin this. At least two abang photographer were snorin loudly at the Malaysian press preview. Can't decide if Storm Warriors is worse.
Perennial wonderment:
Poor Jay Chou. Fans mother him and keep him protected; his crossover pet project as a big screen actor has not been easy, considerin most older audiences won't give him the time of day. Since his relatively successful turn in Secret, the talented musician can't get any respect for starrin in Kung Fu Dunk and nobody likes the fact that he's Kato in the upcomin Green Hornet either instead of Stephen Chow. Media spotlight is heavy on a such a marketable star and many say the man (with a facial expressions range that is notoriously limited) ought to stick to what he knows best. Perhaps it's then a case of low expectations because Mr. Chou does manage to do better this time around. He has at least added one more broodin angle to his repertoire of looks as a devil-may-care, bike-ridin cowboy drifter who's also the guardian of an ancient city. Sadly, this movie is simply too derivative to be interestin.
Amacam joker, berapa bintang lu mau kasi?Perhaps in territories like China where the influx of Hollywood movies are capped and governed by law, everyone will think that Jay Chou crackin a whip is the birth of a new hero icon. The rest are probably just happy that he didn't spot a fedora. One and a half stars.

Men In White (2007) @ 鬼啊!鬼啊!

At a glance:
Remember this crap? Men In White (note that two of the ghosts are actually women) mope about in an abandoned apartment, livin off mouldy oranges and grilled pork offerings. Our ghoulish misfits include, amongst others, the Hip-Kwan-Do (don't ask) gangsta-rappin twins played by Xavier Teo and Ben Yeung, a naggin old madam (Alice Lim), a young girl (Ling Lee, pic) and an obsessive badminton player (Shaun Chen). Stuck in a state of limbo and bored brainless, the lot of them go harassin the livin.
Bad news on the doorstep:
Told chapter by chapter (e.g. can ghosts fall in love?) in what must be an attempt to provide some semblance of structure, it first appears promisin. Soon, it just breezes by like a flurry of sketches, never havin somethin significant to say. If indeed insignificance is the very point, then I'd argue that even as light entertainment, it doesn't have that engagin quality which endears you to it. Contemporaries like Scary Movie 3 might have been infinitely shallower than this, but at least there are scenes we remember for a particular quality. The most arrestin this movie ever got was when the MTV clips came on because the songs were actually quite catchy.
Perennial wonderment:
Kelvin Tong (the only Singaporean director whom I can attest to be a nice guy), found early success with his horror hit The Maid but here he shot off in as many directions he could, all at once. Employin a young cast of pretty faces not mainly known for their actin, he's managed to create an image for this film which invites you to speculate on its content. Infused with a particular blend of Hokkien, English, Cantonese and Mandarin dialogue which is exclusive to people who live in conditions where they hear all four, one does feel that the target audience is restricted to only the two Chinese diaspora on either side of the causeway. It's a good thing Tong went on to shoot a decent horror in Rule #1 and we're now waitin for his Kidnapper, due 2010.
Amacam joker, berapa bintang lu mau kasi?Men In White doesn't cut it as a rewardin social commentary. It isn't purely slapstick comedy either. What it does feel like is a well-financed, independent pilot episode of what could be a weekly half-an-hour sitcom series, reekin of esoteric Singaporeana and forever lost in translation to those who can't figure out why car accidents and 4D opportunities are so hilarious. With its overdone personalities and uneven execution, Men In White never took itself seriously. We shouldn't either.

The Storm Warriors (2009) @ 风云II

At a glance:
Storm Warriors has a lot of fans. We have the type who read the 1989 source material and saw the first movie. Then we have the electronic type that are brought in by the producers in large numbers to blow at Aaron Kwok and Ekin Cheng's hair. More graphic novel movie than martial arts epic, this sequel to 1998's HK cinema milestone Storm Riders is the greatest incarnation of Ma Wing Shing's celebrated Fung Wan comic and nothin short of box office blitz is expected when entrusted in the able hands of directors Danny and Oxide Pang. However, when the brothers themselves tell you that no decent movie critic can avoid comparin this wuxia reupdate to that Spartan SFX feast 300 because it uses the same software (!) that's when you know you have a novelty movie in your hands. Indeed it's special effects before story as we're swirled and twirled into the windy world of Nip Fung (Ekin Cheng) and Bou Keng Wan (Aaron Kwok) as the two heroes (and their emo hair) return to the silver screen after so long to battle evil once more. The story starts off coherently with some reference to the first movie and we are soon made to understand that this will be a two-hour battle with Wind, Cloud and Nameless (Kenny Ho, pic) against evil Lord Godless (Simon Yam) and his equally evil son Heart (Nicholas Tse). Layabout Piggy King (Lam Suet) joins the story later on, together with Lord Wicked (Kenny Wong Tak Bun), Second Dream (Charlene Choi) and Chu Chu (Tang Yan).
Bad news on the doorstep:
However, this synopsis is too simple - or frankly, unnecessary. In a CGI-heavy project such as this, too much have gone into dazzle and the story predictably suffers. Borin, really. Aside from Aaron Kwok who sustained some over-reported injuries, the supportin cast have little to do. That's why you won't mind soft porn actor Kenny Wong as an armless sifu or cute newcomer Tang Yan, who replaces Shu Qi as Cloud's romantic interest Chu Chu to no useful effect.
Perennial wonderment:
Ekin Cheng and Aaron Kwok never age.
Watch out for:
Incredibly bad actin by Ekin Cheng near the end. Very poor.
Amacam joker, berapa bintang lu mau kasi?
I slept through this movie TWICE. Let the next one be better, since we know Ekin and Aaron will still look young enough to do it. ★★

Mulan (2009) @ 花木兰

At a glance:
Disney days like these, it's hard to get a good adaptation that satisfies the senses and still educates the young. Good thing then that the oft-told legend of ancient woman warrior Fa Mu Lan is in many ways, a wonderful fairy tale. The subject matter (a girl who goes to war disguised as a man to keep her enlisted father safe at home) has produced some wonderful films; Shaw Brother's 1964 huangmei classic Lady General Hua Mulan and also the American animation treatment ten years ago, Mulan come to mind. For this Jingle Ma Hong Kong addition, we're very lucky to have the talented Vicki Zhao a.k.a. Zhao Wei (the Red Cliff movies) leadin the lineup in more ways than one. It was always goin to be a battle to tell a story as tough as Mu Lan's.

Russian singer Vitas has a token gweilo role.
He also provided the song Beneath the Glory for the score.

Bad news on the doorstep:
Took the easy way out by focusin on romantic aspects. Whole project seems like a rush job (note remarkably uneventful openin sequence) with uneven focus and excessive emo downtime (intrusive violin score). Mulan is epic only in costume and settin, but little else, especially if you're lookin for a memorable sword-and-sandal adventure. While Vicki (pic, R) may win over enough feminist sympathisers with this performance, the movie does her no justice by skippin past the powerful turns in the movie, investin in teary scenes when the audience have yet to be convincingly let in on the magnitude of her sacrifice, or war, or love for that matter. Her pairin with Chen Kun (pic, L, I think he was in Painted Skin) is flat because the romance between Mu Lan and fellow soldier Wen Tai is brief and underdeveloped. As for the rest of the cast, Jaycee Chan (Invisible Target) gets to play a blunderin footman in yet another likeable loser role, while Hu Jun (Everlasting Regret) is the one who ends up havin a meatier turn as the villainous general. The prominently announced part of CJ7 tomboy Xu Jiao as the young Mu Lan is only a brief, token show while the bizarre appearance of a Caucasian character (A Russian singer called Vitas) is also questionable.
Perennial wonderment:
If next year's Chow Yun Fatt biopic Confucius can return the great epics to Hong Kong cinema credentials. This one sure didn't do nothin for me.
Watch out for:
Vicki Zhao. The 33-year-old China-born actress knows how to put on a show. Blessed with big, bright eyes and a soft demeanour but ever-willin to do some bruisin ass-kickin in recent films, her rise to stardom is probably just as spectacular as her titular character if you go cross-century. However, her screen appeal is the singular drivin force behind this effort.

"You're not my father!"

Amacam joker, berapa bintang lu mau kasi?
This 2009 Mulan reupdate isn't an essential watch, though it does have a few Joan Of Arc moments. Best remembered as a good vehicle for Vicki Zhao's risin star. Watch out for her in the upcomin 14 Blades opposite Donnie Yen. Two stars from me for now.
Bonus material:
Here's a goldmine of 50 behind-the-scenes stills that I've got for you. Enjoy.

Chen Kun & Vicki Zhao on the set