Showing posts with label Ronald Cheng. Show all posts
Showing posts with label Ronald Cheng. Show all posts

Thursday, 27 August 2009

Kung Fu Cyborg (2009) @ 机器侠 Metallic Attraction

metallic booger
Alex Fong Lik Sun 方力申 and Hu Jun 胡军 in Kung Fu Cyborg (2009).

At a glance:
Slap on the generic Chinese tag 'kung fu' to themes like mahjong, hip-hop, basketball, tootsie, cookin or even pandas - and you'll get a marketable movie title one way or another, the plot for which also never falls too far from the moniker. Don't be fooled by Kung Fu Cyborg: Metallic Attraction though. It really ain't HK's answer to Transformers no matter what you read. That trailer you watched and that poster you saw are red herrings as well. The Kung Fu Hustle director has reportedly said that the robot-human dynamics in this movie is more like Wall-E. Turns out the deceptively titled flick is actually a sci-fi rom-com with lead actor Alex Fong Lik Sun lookin like a cross between Astroboy, Andy Lau and Elvis. The Little Flying Fish, as he is dubbed in the Chinese-speakin entertainment world, plays a one-man Autobot named K-1 who's assigned under a kampung cop chief (Hu Jun) while actually servin undercover for a high-rankin government agent (Eric Tsang) to track down a kungfu-powered Decepticon named K-88 (Jacky Wu Jing). Meanwhile, the cop's sister (Sun Li) falls for Fonzie-wannabe K-1 and a resident nerd (Ronald Cheng) tries to ruins things.
Bad news on the doorstep:
Before Michael Bay could arrive on set to praise director Jeff Lau for makin an modestly entertainin CGI-heavy movie with reportedly just US$ 14 million (Revenge Of The Fallen has a US$200 million budget), the lot of them take us on a spectrum of genres and themes, from slapstick comedy and rural melodrama to extended robot animation and motion capture footages. There are some unexpected elements like redemption and sacrifice. However, it still feels like a hotpot of robot fun with insufficient thought put in on how to make a better movie.
Perennial wonderment:
How movie posters are such an important aspect of whether a movie makes it.
Reminds me of:
Suria Perkasa Hitam. Gaban. Voltron. What else?
Amacam joker, berapa bintang lu mau kasi?
If you're more inclined towards sittin at home to watch Ronald Cheng and Alex Fong on TVB's comedy cook show Beautiful Cooking, then that's alright too. Otherwise, give the flimsy but outrageous Kung Fu Cyborg a try, if only because the English subtitles are excellent and you want to watch a movie that doesn't take itself too seriously.1/2
Bonus material:


Tuesday, 20 January 2009

All's Well End's Well 2009 (2009) @ 家有囍事 2009

At a glance:
At last, 2009 opens with a real Hong Kong Cantonese movie, to let us forget the blurrin borders of the Chinese movie industry, at least for a little while. The lucrative Chinese New Year season cannot find a worthier money-spinner than All's Well End's Well 2009 a.k.a. 家有囍事 2009, especially when old-timers like Sandra Ng and Raymond Wong are part of the effort. Effortlessly charming and enjoyably illogical, the movie is harks back to the old days of HK filmmakin when characters and actors were often one and the same.
Bad news on the doorstep:
There are no laugh-out-louds in this fourth instalment but there are plenty of giggles. The humour is built on character mannerisms and we can be happy about that, especially when it's the simple overused story on the unfeminine ball-breaker woman who gets played out by a playboy-for-hire only to find love somehow in the end. New mum Sandra Ng plays this ball-breaker, having long been synonymous with all non-traditional women roles in Hong Kong acting. It's always a joy to watch her just stand there and do whatever comes to her mind. However, Louis Koo's romantic roles have never been convincing and in this movie, he is found wanting. The chemistry between them is also forced, just like in the plot. Good thing Happy Ghost Raymond Wong enters the movie halfway to give us another male lead to look at. There's also a cameo for Charlene Choi to look out for but with the exception of Ronald Chen, the supporting characters could have done more if director Vincent Kok cooked up somethin better for their time.
Amacam joker, berapa bintang lu mau kasi?
Performances aside, there are many scenes referencin other movies (even Hollywood ones) and Sandra Ng's water-splashin sidewalk dance is rather amusin, not to mention a clever cover-up of who's who involving Sandra's boyfriend in front of her confused parents. The 'mou lei tau' from Stephen Chow's opener in 1992 seems very far away now, with this diverse but controlled humour we are asked to accept. It's like a complete package of 'safe' surprises. Well, let's hope it's going to be a good year then.★★★
Bonus material: