Showing posts with label Mexican. Show all posts
Showing posts with label Mexican. Show all posts

Monday, 30 July 2012

Los Bastardos (2008)

Los Bastardos 2008 violent gun crime Auroro Colorado Batman Shooting Jesus Moises Rodriguez cunninglingus White america Nina Zavarin sad sex pussy licking good Desperate Housewives raCIST
Jesus Moises Rodriguez in a spot of sexual servitude for White America.
All in a day's work.
At a glance:
Variety's eloquent Todd McCarthy has called this is a "nihilistic high-art film marked by fashionable static takes, banal minimalist dialogue, glacial pacing and ultra-violence", consistin of "long stretches of dreary quotidian activity shrouded in dread due to something very bad you know is coming, all in the interests of presenting a rigorously reductive slice of earthly hell." So perish all thoughts of this bein an artsier A Better Life (2011). Mexican helmer Amat Escalante sees fit to put us through 98 minutes of said elements, a slow and curious examination into the taken-for-granted comforts of American life. We have hard hombre Jesus (Jesus Moises Rodriguez) and the younger, angrier Fausto (Rubén Sosa) waitin by the road to be picked up for illegal day labour by shortchangin gringos. Up until this point, you'd think this was an immigrant documentary. Then it turns into an R-rated home invasion thriller, involvin a single mother (Nina Zavarin) and her son (Trevor Glen Campbell). It has been described as a movie that builds up to just one moment of very realistic violence.
Los Bastardos 2008 violent gun crime Auroro Colorado Batman Shooting Jesus Moises Rodriguez cunninglingus White america Nina Zavarin sad sex pussy licking good Desperate HousewivesBad news on the doorstep:
I'm actually doin my best to make it palatable. The Bastards squeezes into the narrow space that separates pretentious narcissism and high art, always leavin us to wonder just what the intentions of the filmmakers are. Just because a movie is very slow, it doesn't make it deep or meaningful. A decision is required on your part if you succeed in lastin it.
Los Bastardos 2008 violent gun crime Auroro Colorado Batman Shooting Jesus Moises Rodriguez cunninglingus White america Nina Zavarin sad sex pussy licking good Desperate HousewivesPerennial wonderment:
Why does someone in a position of power choose to engage in a spot of sexual servitude? Is this depravity a critique on middle-class American consumerism, as I read? It's disenchanted sex any road. The two lead antagonists are non-pros as well. Wish I could figure it out. There's somethin quite sad to it.
Reminds me of:
Baise-Moi (2000) and Funny Games (1997).
Los Bastardos 2008 violent gun crime Auroro Colorado Batman Shooting Jesus Moises Rodriguez cunninglingus White america Nina Zavarin sad sex pussy licking good Desperate HousewivesAmacam joker, berapa bintang lu mau kasi?
Like a fable, but a narrative only for the patient. Don't be fooled by the crime drama packagin from the DVD cover. Somethin very primal about these characters compliments the minimalist technique we see in Michael Haneke and Lars von Trier movies. White America's worst stereotypes about Hispanics fulfilled. Unsettlin, to say the least - but with a stab at redemption near the end.★★1/2
Bonus material:
Construction work. Cunninglingus. Reheatable TV dinners. Skinny-dipping. 
Los Bastardos has it all.

Saturday, 2 June 2012

Miss Bala (2011)

Stephanie Sigman spends an entire movie bein hounded by parents, friends, cops and druglords.
BoneTown Sex Game
At a glance:
Mexico's entry to the 84th Oscars earlier this year, Miss Bala (2011) is sorta like a thinkin man's Miss Congeniality (2000) and lead actress Stephanie Sigman is certainly no Sandra Bullock. No, the protagonist isn't an undercover cop but a beauty pageant is the scene of a crime. It's loosely based on the real life exploits of Miss Sinaloa 2008 Laura Zúñiga, who was arrested together with some heavily armed cabrónes in a drug traffickin scandal. Bala is the Spanish for "bullet" and this movie is definitely not short of that, as filmmaker Gerardo Naranjo takes us across the criminal landscape through some pretty close calls.
Fine young thing says her name's Maria
- wrapped her up like a hot tortilla.
Bad news on the doorstep:
The movie is seen completely from the viewpoint of the victim, Laura. As Tom Von Logue Newth writes how the "oft-repeated device of having the back of her head lead the camera makes her a sort of blank everywoman, as though the film is a thrill ride for the spectator, thrown into one dangerous situation after another and denied full knowledge of what exactly is going on." We have no access to any other person's perspective at any point of the movie at all and it can get confusin. This is however, fully intentional, as a technique to achieve that ultra-realistic feel when chroniclin how crime unfolds - you're often wonderin what the hell is happenin. You'll get more upon the second viewin.
Perennial wonderment:
Stephanie Sigman's film debut is emotionally solid, remindin us of Catalina Sandino Moreno in Maria Full Of Grace (2004). But what awaits a new actress who had just turned so many heads? Catalina Sandino Moreno got an Oscar nod for her role in Maria Full Of Grace but her biggest role since is a virtually anonymous vampire in The Twilight Saga: Eclipse (2010). Let's hope Sigman doesn't follow her into oblivion.
World peace will one day reach Mexico, a leadin entry in any Most Dangerous Cities In The World statistic.
Reminds me of:
The gunfire takes me back to Gomorra (2008).
Watch out for:
The showoff scene in the movie - an extended long take followin the girl from her SUV to a truck as she is bein ambushed and rescued. Phwoar. 
Gerardo Naranjo
Amacam joker, berapa bintang lu mau kasi?
Provocative stuff, I like the narrative style and the incredible restraint in just how much we get to see. Four stars. Naranjo has said in an interview with Philip Concannon that the film is very divisive in its native Mexico but has this to say: "There is a ton of material being done about crime in Mexico and most of it is completely surreal or ridiculous. There are movies that are very comedic or farcical in tone and they are doing very well. I was so surprised by this and I feel there is almost an agenda to show crime in a light, entertaining way. That was very strange to me because I had this perception that crime was something very different, and when we went on to research we found out that the crime world is very ignorant, pathetic and grey. We didn't find gold chains or girls all around, you know, we didn't find people having a great time. We found a lot of paranoia and people who were very mistrustful of the people around them. We felt it was a good opportunity to talk about that because nobody was saying that crime was an ugly world, everybody was fixated on this Scarface promotion, and I don't think crime in Mexico has that side. Even the biggest drug lords live a very pathetic life; they are not in a luxury castle but in these dark apartments hiding. It was very important for me to talk about that, to show how these criminals behave and how much they lack a sense of morality. It was kind of an anthropological statement." What a privileged look in we get!