Brave (2012) @ The Bear And The Bow

"I'm Pixar's first princess and I'm goin ta skelp ye wee behind!"

At a glance:

Here is where we meet and discuss how we were seduced by that awesome trailer. Did you know its previous title was The Bear And The Bow? Anyway, it's Pixar's first female protag and Disney's first redhead heroine since Ariel in The Little Mermaid (1989). She's not an annoyin Princess Nobody like in Tangled (2010) either. She's spunky, she's Scottish and she can shoot the moustache off an ant. The stage is all set for Princess Merida (Kelly MacDonald) to light this story on fire and give us even more of the kind of feudal fun we had with contemporaries like How To Train Your Dragon (2010).

Bad news on the doorstep:

"Dinnae ye ken, our movie kinda sucks
so don't be a wee clipe!"

It starts like a Scottish Mulan (1998), then careens off into some kinda magic bear Shrek story. Watchin Brave (2012) is like watchin two movies waitin to happen; and both never does. Perhaps the mixed proceedings had somethin to do with there bein two directors to finish off the movie. In any case, Hollywood Reporter's Todd McCarthy was spot on, that the film "diminishes into a rather wee thing as it chugs along, with climactic drama that is both too conveniently wrapped up and hinges on magical elements that are somewhat confusing to boot." It was an awkward journey because the heart of the story goes missin midway and the audience is left unsure what to do with the emotional downtime that is spread all over the place. Pixar's 13th will go down with poor Princess Merida as a failed fairy tale.
Perennial wonderment:

"Yes, Scotttish girls shave. Next question, please."

What were the creative disagreements that caused this movie to have two directors? Pixar's first female helmer Brenda Chapman (The Prince Of Egypt, 1998) was replaced by Mark Andrews; and along with it some 80% of scenes in the snow, I understand. 

Reminds me of:

Every time I hear Kelly MacDonald's voice, it takes me back to Trainspotting (1996), the time she gives Ewan McGregor so much lip outside the club, before gettin into the taxi and goin home with him to indulge in a spot of statutory rape.

I can't remember if I cried:

This is the first film to be released with the so-called Dolby Atmos sound format, developed by Dolby to reproduce more "natural and lifelike" sounds. Unless that means it's bloody difficult to hear a damned thing in the woods, then I have no clue what it is. I watched this at an advance screenin in Hall 7 of Famous Players Coliseum, Mississauga, where they really need to upgrade the system!

Should've been more on the will-o'-the-wisp / jack-o-lantern.
Reminds me of The Secret Of Kells (2009).

Most memorable line:

None.

Amacam joker, berapa bintang lu mau kasi?

Well this certainly isn't WALL·E (2008). Didn't need to be in 3D either. Wasted all that good Celtic music in an underwhelmin product. I'm not sure what the end credit bonus scene was but I don't think I'm missin much. Console yourself instead with the fact that you watched Enrico Casarosa's neat little short La Luna (2011) in the beginnin. As Variety's Peter Debruge points out, it added seven minutes to the runnin time of Pixar's shortest feature since Monsters, Inc (2001). Verily, it covered too much about too many, in too little time. ★★ 1/2
Bonus material:

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